The bass-baritone Thibault de Damas started at an early age his music studies, specifically playing the transverse flute, and came to singing during his musicology studies, personally appreciating the combination of music, text and theater.
He then joined the Opera Studio of the National Lyon Operahouse (France) and got a scholarship from the Royaumont Fondation and the "Fondation des Treilles" Voice Academy.
His wide repertoire ranges from baroque music to contemporary opera, including operettas by Jacques Offenbach and the Rossinian Buffo repertoire, joining there his voice and music ability to the acting one.
Among his main roles, Count Oscar in Offenbach's Barbe Bleue at the Opéra National de Lyon, Don Bartolo in The Barber of Seville at the Opéra National de Bordeaux and at Angers-Nantes Opéra, Don Profondo in Voyage à Reims at the Radio Classique concert "Viva Rossini!" at the Théâtre des Champs-Élysées, the Lully's Amants Magnifiques at the Opéra de Limoges under the direction of Hervé Niquet, Brander in Berlioz's La Damnation de Faust under the direction of François-Xavier Roth, Dulcamara in Donizetti's Elisir d’amore at the Théâtre des Champs-Elysées.
Main coming projects are Snug in Britten's A Midsummer Night's Dream at the Lille Opera, Polonius in Ambroise Thomas's Hamlet at the Saint-Etienne Opera, The Tree and the Armchair in Ravel's L'Enfant et les sortilèges at the Opéra de Lille, Wagner in Gounod's Faust at the Opéra de Limoges, Pistola in Verdi's Falstaff at the Opéra National de Bordeaux…